The Cartoonists Part Five

The several page article 'The Cartoonists' appeared in the weekly New Zealand Heritage magazine published in the early 1970's and eventually collected as a set of Encyclopedias.

Read The Cartoonists Part One

Read The Cartoonists Part Two

Read The Cartoonists Part Three

Read The Cartoonists Part Four

In this 1955 commentary on New Zealand's meagre contribution towards the South East Asia Treaty Organisation, Sid Scales of the Otago Daily Times shows less indulgence than Nevile Lodge towards New Zealanders' preoccupation with horse racing. The quotation is from T. L. Macdonald, Minister for External Affairs 1954-57.

Eric Heath, an admirer of the vitriolic Petty of The Australian, has asserted that New Zealanders live under a lot of umbrellas. "Anything I do that stabs people at all brings a flood of protesting letters. Readers are very sensitive, and there is a reluctance to draw such figures as the Queen or the Pope, which cartoonists in any other country can draw."

New Zealanders in the 1970s seem happier with the Giles type of man-in-the-street humorous cartoon than with hard political satire. It accords with a national character which Heath has defined as peace-loving, good-humoured, easy-going and domestic. Lodge agrees with that assessment, adding to it only an unreadiness to change unless overwhelming reasons are offered.

In this conservative, neighbourly milieu, caricature pure and simple has vanished and its use in cartoons has declined. Nor does New Zealand welcome extreme scepticism of the kind exhibited by Low in the year of his death, 1963. In such cartoons as "Man the Lord of Creation" Low seemed to be summing up a lifetime of close observation of his fellow men. The thrust was verbal rather than pictorial—but devastating. His Ten Commandments, for example, are "Don't Get Found Out" repeated 10 times. On his wall also is a house-hold motto: "Do Others Before They Do You.", A nation which expects cartoonists to be funny men might well have disowned one of its greatest sons—if it had seen his work.

Certainly cartoonists of nearly equal calibre working in New Zealand have eschewed satire in favour of a gentler, more humorous social commentary. They have performed superbly, as might be expected of men stooping slightly from higher purposes.

Caricature of himself by Les Gibbard. Reaching journeyman status under Minhinnick's tutelage on the New Zealand Herald, Gibbard in 1968 became a Political cartoonist with The Guardian (London and Manchester) and is now regarded as among Britain's best.

Sid Scales, for example: "This'll cheer you up dear—it's not real 'flu—just a viral infection." Or his teetotal fireman indignantly refusing to put out a hotel fire. Or Minhinnick's re-creation of that old tear-jerker "The Crisis", with Dr NZRU attending a fevered John Citizen at the crisis of the 1937 Springbok tour. Or Lodge's museum visitor glancing furtively around to see that no one is looking, then poking out his tongue at a Maori tiki.

Eric Heath of The Dominion comments simultaneously on two major issues, the French nuclear tests and the proposed Springbok tour.

New Zealand's cartoonists can still hit the political nail on the head, as in the August 14 1968 Minhinnick picture of the Prime Minister lustily singing hymns in church, then groping after a single coin for the collection bag—"The collection will be in aid of the United Nations work for Refugees!" What they rarely do is hit the citizen's thumb as well. It is the way New Zealanders like things to be. Their cartoonists have caught the likeness well.

The BP Super Fun Book Part One

Presumably created in the eighties, The BP Super Fun Book is a promotional book connected with New Zealand BP Fuel stations. I recall a period during the eighties that Mobil stations offered Walt Disney mini comics, reprinting and repeating a give-way that happened years earlier. There is no price on the BP Super Fun Book so I presume it was a giveaway at BP stations perhaps in conjunction with fuel purchases.  The book consists of a thirty page lead comic and various puzzles and automotive features at the back. No artist credit is listed inside other than it was produced by Day Publishing PTY. LTD. and designed by 2D graphics.

Out of The Past - Phil Belbin Film Adaption

For a brief period during 1948 and 1949 Phil Belbin produced comic adaptions of RKO Radio pictures for Murray magazine Cavalcade. Adaptions included Return of the Badman, Fort Apache, Magic Town, Night Song, Rachel and the Stranger, The Bishop's Wife, The Velvet Touch, If You Knew Suzie, The Miracle of the Bells and Out of the Past. The film adaptions were replaced in late 1949 with original comics featuring Flash Cain, Private Detective, illustrated by Belbin and written by Ray Heath. Flash Cain was subsequently replaced by Kath King of Kismet Cove, the adventures of a female reporter, illustrated by Belbin and scripted by Sydney Ockenden.

Read a biography of Belbin by Greg Ray here.

Maurice Bramley - Western Cover Gallery

A selection of western comic covers illustrated by New Zealand/Australian cartoonist Maurice Bramley. Bramley had previously illustrated western text pieces in the World's news during the 1940's.

Maurice Bramley Biographical notes and Pocketbook Storyteller magazine illustrations

Maurice Bramley Battle Action Gallery

Incredibly Hot Sex with Hideous People - Bryce Galloway Interview

Bryce Galloway is the creator of New Zealand's longest running zine/comic with his largely auto-bio Incredibly Hot Sex with Hideous People. A regular publication since 2002, recent issue #56 provided an extensive history of the NZ zine scene. Bryce's firsthand account of the development of a scene that has flourished in recent years with zinefests now dotting the calender and happening in major centres all over the country provided a fascinating read. I asked him a few questions about putting it together.

Matt Emery: What was the starting point for writing a history of zines in New Zealand?

Bryce Galloway: I guess I just suddenly realized that my 14 years of zine involvement meant I'd seen some changes in the scene that were unbeknownst to most of the young people making zines: The steady rise of NZ zine production; changes in the platforms supporting zines; and changes in zine content/styles.

Emery: Are there any notable zines that you are aware of that were published outside of the main centres of Auckland, Wellington and Christchurch and Dunedin? Did you consider having more coverage of these provinces?

Galloway: It was pretty hard knowing where to look for such material. David Merritt is a notable exception, as a resident of Mangamahu (50kms remote of Wanganui) but otherwise it was a case of looking at the communities and connections built up around the five NZ zinefests in the larger urban centers. I'm aware of small rumblings in Palmerston North and Tauranga but I was writing mostly about the mechanisms - like zinefest - that have supported the exceptional rise in NZ zine production. Another reason for not seeking out remote individuals - also alluded to in the recent history - was that I didn't want to start canonising individual zine titles/zine-makers within the narrative.

Emery: Apart from Incredibly Hot Sex with Hideous People, what are some of the important zines that have come out of NZ?

Galloway: Ha ha… that I might be important!?!? The things that could conceivably make my zine important are its longevity (14 years / 57 issues) and the fact that it inspired a young Kylie Buck to get into zines and go on to start Wellington Zinefest. Hopefully its a quality zine, but there are plenty of quality zines out there. David Merritt is also notable for the longevity of his project (poetry in up-cycled book covers and banana boxes) as is Hamish Win's John Dory Report, also in its 57th issue. It's wonderful how different these three titles are. Other titles are often more fleeting but just as good. Look to any of the Best Of Fest competitions for some qualifying clues. The very recent Hamilton Zinefest 2015 was won by Makyla Curtis's wonderfully poetic The Great Goatsby. Matt Black's Objet Da Da - an extended taxonomy of found objects - came in second. Vincent Konrad's The Newest Yorker came in third for its painfully pithy cartoons.   

Emery: What were the most difficult parts of documenting the NZ Zine scene?

Galloway: It was easy to start but the quick turn around one hopes for with zines soon became elusive, as I tried to find out the names of all zinefest organizers over the years, or find out about the comics and anarchist scenes I've known comparatively little about.

Emery: Where can folk get a copy of the latest issue of Incredibly Hot Sex with Hideous People?

Galloway: People can check out all my wares at Incredibly Hot Sex with Hideous People and write to me. In Melbourne there's Sticky, Black Star Books - Ōtepoti, Auteur House - Hamilton, Audio Foundation - Auckland, and in my hometown of Wellington I often get them to numerous venues.